Lazarus' last laugh: On reading "The Bell Jar"

Sylvia Plath has always been one of my favourite writers. Her life has intrigued me many a times. Somewhere because as a women of the 21st century I have faced similar moments… of multitasking and balancing career, family , private and public issues and at the same time hunting for a suitable opportunity to hone my skills in.  I read her  Daddy many years back and loved it.  The familiar circumstances of Plath , Virginia Woolf , Anne sexton have always posed in my mind questions about intellectualism and its connection with women.
The Bell Jar was published under a pseudonym Victoria Lucas in 1963, a few weeks after her suicide by burning her face in an oven. A more terrible death could not have been thought for such a beauty as Plath married to one of the greatest writers of the time ,Ted Hughes. It is said that Plath did not want the book to be published primarily because she thought it would hurt her mother. The narrative is semi-autobiographical and is based on Plath’s own reactions to the society which failed to provide her  the fulfillment to her aspirations. After Plath’s death, Hughes decided  to publish the book as he felt that 'Lucas' was not Plath alone, it was all-women who desired to be different .As such the book has been considered one of the key texts in feminist readings.
Simone-de-Beauvoir’s The Second Sex defines the work ethics for women. She is not supposed to be coquettish and admire the attentions of the male eyes in the work place and as such she should dress accordingly; the same woman is supposed to be her attractive best to please her husband in bed. A woman has to work three times the same as men and yet the ceiling is reserved for her.


 Sensitive souls merge into depression and psychological conditions. For women it is a continuous striving to keep the sanity intact. Not to underestimate ‘The personal is political’ , more so when women have no homes they can call their own. A room of one’s own,  a 10’’ by 10’’ space you can call your own. Decidedly the call is on, earn, save and buy . To be different is no crime. 

Lady Lazarus

BY SYLVIA PLATH
I have done it again.   
One year in every ten   
I manage it——

A sort of walking miracle, my skin   
Bright as a Nazi lampshade,   
My right foot

A paperweight,
My face a featureless, fine   
Jew linen.

Peel off the napkin   
O my enemy.   
Do I terrify?——

The nose, the eye pits, the full set of teeth?   
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be   
At home on me

And I a smiling woman.   
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.   
What a trash
To annihilate each decade.

What a million filaments.   
The peanut-crunching crowd   
Shoves in to see

Them unwrap me hand and foot——
The big strip tease.   
Gentlemen, ladies

These are my hands   
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.   
The first time it happened I was ten.   
It was an accident.

The second time I meant
To last it out and not come back at all.   
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.   
I do it exceptionally well.

I do it so it feels like hell.   
I do it so it feels real.
I guess you could say I’ve a call.

It’s easy enough to do it in a cell.
It’s easy enough to do it and stay put.   
It’s the theatrical

Comeback in broad day
To the same place, the same face, the same brute   
Amused shout:

‘A miracle!’
That knocks me out.   
There is a charge

For the eyeing of my scars, there is a charge   
For the hearing of my heart——
It really goes.

And there is a charge, a very large charge   
For a word or a touch   
Or a bit of blood

Or a piece of my hair or my clothes.   
So, so, Herr Doktor.   
So, Herr Enemy.

I am your opus,
I am your valuable,   
The pure gold baby

That melts to a shriek.   
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash—
You poke and stir.
Flesh, bone, there is nothing there——

A cake of soap,   
A wedding ring,   
A gold filling.

Herr God, Herr Lucifer   
Beware
Beware.

Out of the ash
I rise with my red hair   
And I eat men like air.


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